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Allemande - Bach, Alan Curtis - English And French Suites = Englische Und Französische Suiten = Suites Anglaises Et Françaises


1996
Label: Teldec Classics - 0630-13582-2 • Series: Das Alte Werk • Format: 3x, CD Reissue, Remastered • Country: Germany • Genre: Classical • Style: Baroque
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8 thoughts on “ Allemande - Bach, Alan Curtis - English And French Suites = Englische Und Französische Suiten = Suites Anglaises Et Françaises

  1. The fifth of Bach's keyboard suites "for the English" follows the usual pattern, a series of French dance movements given a Germanic contrapuntal twist. This is evident right from the Prélude, a three-voice fugue that gets straight down to business with grim determination (one of the few examples in these suites of minor-mode music that actually sounds troubled).
  2. Alan Curtis (2) Profile: Alan Curtis (born November 17, in Mason, Michigan and died July 15, in Florence, Italy) was an American harpsichordist, musicologist, and conductor of baroque opera. - Englische Und Französische Suiten - English and French Suites - Suites Anglaises Et Françaises ‎ (3xCD.
  3. Explore releases from the Teldec Classics International GmbH label. Discover what's missing in your discography and shop for Teldec Classics International GmbH releases. Bach*, Alan Curtis (2) - English And French Suites = Englische Und Französische Suiten = Suites Anglaises Et Françaises ‎ (3xCD.
  4. Like each of its five brothers, J.S. Bach's French Suite No. 2 in C minor, BWV is not French at all, but actually a true German-style, multi-movement keyboard suite. Composed sometime during the late Cöthen or early Leipzig years (ca - ), it was included, as were all six of the French Suites save the last, in the composer's Clavierbüchlein for Anna Magdalena Bach.
  5. The French Suites, BWV –, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of and Although Suites Nos. 1 to 4 are typically dated to , it is possible that the first was written somewhat earlier.
  6. Some of Bach's keyboard compositions during his time in Cöthen were not written for the court, including the so-called French Suites, the first five of which appear in the Little Notebook for Anna Magdalena. Written in , the Suites open the book of instructional material. Here, and in other manuscripts, the works are entitled, "Suites pour le Clavessin" (Suites for the Cembalo, .
  7. As always in Bach's French Suites, this work begins with an Allemande, Courante, and Sarabande. The Allemande is warm and flowing, a stream of arpeggios that tend to eddy in the harpsichord's upper reaches, with the harmony often pooling at the lower extreme.

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